2016 re:issue presssed on 180gr , incl mp3 download card
- dub mixes by mad professor

love notes from brooklyn offers up this platter from a very exciting new brooklyn artist, subtenant. as it says on the tin, the artisanal acid ep is heavy on the 303 squelches and emotional content. each track has a unique pairing of soul and heavy acid funk. evergeen soul is the clear lead track here, using a female snippet to keep this otherwise tough little number dancefloor friendly. this track is then reworked by detroit underground darling, d marc cantu, who pitches things up into funky rave territory. the flip side sees the title track feature the most soulful chords on the entire record, and then on the b2 the artist himself takes to the mic on know how it feels. this whole ep feels live and direct from the brooklyn underground.

shubaka come through with their third release, a big time house affair featuring two heavyweights of the scene, dj nature and damon lamar. the a side features a magical downtempo house number from dj nature. think 90s nyc, a crisp bass line and some mysterious keys. damon lamar takes things deeper on the flip, with a slow burning house number that packs plenty of emotion and atmosphere.

adelaide duo warren raww present a 12” that ups the energy of their july ep, whilst still delivering on their own brand of melodic, synth-laden house music. this time flanked by comrades arthur miles and freddie norwood, they add to the already high volume of talent currently emanating from australia.
the a side offerings shift between the more low-end driven aspect of warren raww’s production style, with off-kilter bass lines, punchy percussion and contemplative chord progression. the b side strips things back a bit further with a track each from arthur miles and freddie norwood. gliding pads, raw percussion, broken beats and rolling drums all melt together to deliver an essential slab of house music.

dyad present the second instalment of their common purpose series. vsk sets things in motion with the seductively brutal echinopsis before don’t be afraid boss semtek launches his new techno-focused guise stk with the crafty analogue techno of machete. on the b-side, blueprint’s rommek contributes some of his most captivating work yet in klaxon, and to round things off argentinian artist tomas kunkel is given his first vinyl outing with the malian rhythms of altered chants.

simo cell returns to livity sound for the label’s final release of 2016. following up his debut 12” for the label in 2015, the parisian brings his varied tastes to this diverse four tracker. from the hazy bumping rhythms of ‘gliding’ to the pulsating strobed snare assault of ‘away from keyboard’, these razor edge productions demonstrate exactly why he’s been tipped by so many as one to watch.

hard ton, italy s extravagant duo of all things house music are back on luv shack records, unleashing six steaming hot tracks on the -queer nation ep- - a precursor to the first full hard ton album that is due for 2017. -queer nation- has singer max swapping his falsetto with a dark mangled voice, reciting names of queer icons over a dry acid house track that rejoices in repetition, and rightly so. classic music head honcho luke solomon s remix of -queer nation- builds up an intense 707 drum pattern, underlining rhythm guitars and max s voice, ending in a bold acid climax. italian newcomers younger than me also take on -queer nation-, marrying an early 80 s wave touch with a classic house approach.

enigmatic berlinbased producer algorythm provides the debut release on the new vinyl imprint neptune records this november. initiating the package, stuttering percussion and echoing effects form the deep and mesmerising santos express . syncopated rhythms and thudding bass hits then make up lfo as twinkling melodies work their magic, before bird cage introduces soaring chords and tranquil notes. tying things together, thudding kicks and snappy snares drive omar s deli forward as various layers of serene synths and pads are blended together.

discodromos ever-essential cocktail d amore label launches into action once more with the ear candy of komodo in tow. magic hour manages to work classic piano house tropes into a suitably cosmic headspace that s loaded with reverb and all things trippy, but its relatively grounded compared to the exotic meditation that the backwoods manage to conjure up on their oriental dub of the track. lizard dance channels early trance vibes to great effect in a celebration of early 90s rave mysticism and then sand dunes offers up a bubbling, friendly twist on acid house. using familiar tropes but still maintaining originality, from start to finish this is a classically rooted record with something to say.

belters is a new label brought to you by huntleys + palmers dedicated to the dancefloor. kicking things off with h+p favourite, wrong steps and his toughest offering yet.

its been a while since something new from dave ellesmere surfaced, but the multifaceted artist has been tasked by the ever on-point brothers vibe to lay down a few serious slabs of club tackle for mixx records. caught in a moment heads straight into tripped out techno territory, all urgent cyclical rhythm and head-teasing fx, but the mood is drastically different on the chord led 909 thumper universal vibe. from now on only good things will happen once again channels the edgy robert hood style to great effect before brothers vibe takes over for a deliciously dusty, meandering remix of universal vibe

hotflush are proud to welcome an exciting new talent to the roster. her name is or:la and she arrives at her debut 12inch already boasting a formidable reputation as a dj and promoter in the uk - her long-standing meine nacht party is merseysides finest and her appearances on whp line-ups are turning heads. the 12inch in question is uk lonely - a four track ep that flaunts enviable range and seems to contradict the producers youthful years. in it she covers a broad spectrum of past and contemporary influences spanning garage, afrobeat, breaks and dubstep. the a-side is punchy yet elegant: vocal cut-ups drift through off-beat percussions in title track uk lonely, while riddims and melodies weave in and out of each other on an exotic limbosoup. the b-side is more contemplative:x & o recalls the wistful vocals and layers them over aughties breakbeats before jaipur rounds off this opening salvo in delicate and playful fashion, hinting at things to come

kit n c.l.a.w.s. is a project by two experienced musicians in the fields of dance and psychedelic music… teaming up was probably one of the better ideas they had for a long time as the music this duo serves us is simply amazing… deep trance indulging moody house tracks with acid influences… still this acid never becomes industrial as techno can be but stays on the psychedelic side of things… slow trippy stuff to dance and dream away on… headmusic for the dancefloor!
limited 200 copies.

fuse co-founder enzo siragusa steps up for productions duties once more with his hard steppers ep. flexin kicks things off with a pared down groover of a track simplicity is the key here, all the elements combining beautifully for a deadly hypnotic head nodder. jump up once again harnesses enzo s jungalist past with a typical rave-inflected, monstrous b-line underpinning the brisk percussive nature of the track, a real treat for lovers of the black wax as the track is strictly vinyl only.

ma.to with his first solo ep ever striking with 3 tracks handcrafted for your recordbag.
oslo recordings founder nekes with a crisp sounding remix on the back.
rare things happening

donny benet. you know the name by now. man of the people. wielder of synths. virtuosic in style, both aural and visual. sydneys undisputed master of conduction through seduction. the man has an almost otherworldly control over his music and his crowd. one slap of the bass and the world melts at his feet. one outrageous synth solo after the other and the competition falls around him. donny benét makes you sweat. donny benét brings the heat. we are unbelievably honoured to have donny benet make his plastic world debut with working out, a pulsating ode to the things in life that get you perspiring

coyote s release their 4th album song dogs. 7 tracks of percussive elecronic mediterranea. opening side 1 is jamon y quesa and chuggy bass driven soundtrack to an early afternoon drive through dusty scrubland to the beach. track 2 natural way is a mellow meditation on becoming a clear thinking wise man. track 3 falling leaves conjurs up lazy moments taking the time to appreciate the beauty the simple things around us. side 2 close with the haunting and soothing herbal remedy side 2 opens with tanits groove a beautiful balearic homage to the godess tanit the warrior goddess of dance, fertility, creation and destruction. the protector goddess of ibiza. featuring the guitar of long time coyote collaborator saro tribastone. track 2 no time to play is a powerful uplifting elecronic groove to welcome a sunrise, i feel the vibration finally the album closes with cala conta sunset. an ambient memory of a brief monent in time on the cliffs of cala conta watching then sun set into the mediterranean sea.

this one goes out to all the city people. to those who get inspired by the beauty of the reflections that the urban evening sun paints onto naked concrete. to those who know that there is a soul in all the things. we are with you.

hudd traxx first release of 2016 comes from parsian house don chris carrier after the label had a big year in 2015 with their 10th anniversary. back to business then and no messing around on this one as carrier delivers 4 slices of gloriuosly crafted house music with something to please everyone. cycle psycho is a raw house groove that filters the main hook up and down throughout the track accompanied by heavy beats reminscent of early cross section releases. dimension 5 is a cheeky acid number that carrier has done so well in the past and he delivers here once again with this. flip for the b side and find more groovy head nodding material with smoke and flesh. tough beats and a trippy vocal with various hits make this one a sure fire future hit. chris rounds things up nicely on b2 with a sleezy deep one for the heads entitled flying sausage.2016 looks set to be another good one for hudd traxx hq.

having been shortlisted for the scottish album of the year&#8203, award, we follow up theory of flo with some stellar remixes from friends and associates.. next up in the series, we ve employed the services of our berlin buddies, africaine 808 and a long time favourite producer of ours, mark e, who have each delivered a blinder. auntie flo himself tops things off with a brand new version of the album opener primed for the dancefloor

john tejada and arian leviste are back on areal after their much celebrated release “reactance“. these guys are working for 25 years together meeting up weekly in the studio to try new things. they say themselves that it is their longest and most special collaboration. they use mainly hardware with an old school mind set that comes more from the early 80s nyc hip hop culture than anything else. early pioneers misusing gear and making the best of their limitations. their newest release “hysteresis“ comes along strongly functional for the club.

20 year old utrecht based producer julian alexander steps up for the next release in infuse with a ep of raw house grooves. sweet rain kicks things off, its deeply rounded bass and swung percussion imbuing the track with a real sense of groove. cabin fever continues the vibe whilst present brings a sense of warmth an undulating pad lending the track a more blissed out feel whilst straight furrows a tougher path with a dirtier warehouse kick and metallic percussion.

music for swimming pools proudly presents it s first release, and who better to get the ball rolling than reverso 68. pete herbert and long time musical partner phil mison come together with three new tracks and a rework of their first ever release piece together. originally released on specialist interest recordings and then promptly picked up by eskimo recordings who gave the part two version exposure to a wider audience, we thought it was about time part one was given a new mixdown and polish.. and the results were superb! .. a freshly served version of this seminal mid tempo afro/80 s inspired classic. and onto the new productions, first up red day heads straight down italo alley with chunky slo mo drums and some infectious synth action. buzara heads into typical reverso territory, and a nod to frontera del ensueno with grainy flamenco guitars, loose percussion and old school house synths for the dancefloor.. and finally orange sky rounds things off with a lush hypnotic afro percussive work out. . we recommend you test the water.

hailing from the small town of stroud, south west england, marcel lune has been quickly building his reputation as one of the hottest new talents in the uk bass music scene. having discovered an 808 in his parents attic at a young age, it quickly became one his favourite toys and set him off on a musical voyage which is beginning to gather momentum. having already released a string of releases including a full album for studio rockers last year, this release with local talk is a new chapter in the ever growing marcel lune saga. this debut for local talk is nothing short of brilliance. an ep that sits somewhere between the early floating points days and local talk s very own crackazat jamming with harvey sutherland. from the opening track sketches marcel brings broken house rhythms, piano chords and dancing acid lines in a glorius way. the clever vocal arrangement on eat good takes no prisoners and on the flip crazy love , another vocal track, marcel slows things down a bit together with vocalist bluesz. the ep ends with soul music, upping the energy level slightly with its snappy, jazz-influenced beats and dancing synth lines. a beautiful and fitting addition to the ever expanding local talk catalogue.

glow worm/aloha ice jam is the third release from oflynn, and follows two sell out releases on blip discs. described by boiler room as one of dance music s most prosperous newcomers, oflynn is quickly establishing a reputation as a bright young talent and has already had his releases supported by ben ufo, gilles peterson, bonobo, pearson sound, bradley zero, joy orbison and four tet to name but a few. a-side glow worm was premiered by james blake on his bbc radio 1 residency show and showcases a contagious synth melody that is underpinned by a percussive house groove. in a similar way to both his previous releases, the flip side takes things into a whole new territory, and in this instance the infectious disco-tinged aloha ice jam takes aim squarely at the dance floor and doesnt miss

hailing from bucharest, romania the vinyl speed adjust duo have been rapidly on the rise as producers and djs over the past few years with a back catalogue boasting material on pressure traxx, gilesku records, colours in music and visionquest where they return to here, as well accolades from leading industry names such as ricardo villalobos, raresh and rhadoo. here we see the pair back on fine form for visionquest following their carpe diem ep on the label in 2015 and taking the lead is title track retro which sees things taken down a percussive led path via modulating pot drums, murky bass flutters and screeching atmospherics. det riot follows and ups the energy levels with robust rhythms and stuttering vocal chops running with subtly unfolding arps, and further howling expansive swells hidden in the depths of the record before stretch souls rounds things off, closing with tumbling organic percussion, soft pad sweeps and a rumbling low end drive.

some things just get better with age. house grooves vol. 1 mark a part in history, where a young move d felt ignited by the classic house music sounds of the day. strict rhythms and nu grooves forged masterful networks with bleeps and clonks, pianos helped synthesizing dopamine and the phuture was wide open. house grooves vol.1 embodies that special time and place with a bunch of vintage tracks saved from the abyss. respectfully edited and dusted with gloves, it features move ds sought-after magic moment i gave my love, a collaboration with mannheims house hero see-base, the bass line swing of babyphonk and a breakbeat-led remix by shan & gerd janson that tries to sound like it could have happened back them. the bottom line is: the past can make the future feel at home.

when the flowers bloom at the awakening of the season. with translucence shining like liquid stars decked out in glorious hues of pink, purple and blue. when the trees grow and the birds fly out. when they gently beat their wings, gliding upon the blue canvas of the sky. you get touched by the sounds and the beauty of it all. it lights that fire deep within you... reedale rise shows us the way of things,.. as it was then, and still is now.

originally released in 2002, here reissued as a remastered version tony allen talks about the album: after black voices and psyco on da bus albums, i came back with homecooking which was an album filled with guests. i brought in ty, who had remixed some of my work previously, to rap on the record, and damon albarn, who had already sung about me on music is my radar. since the early days ive been trying to find things that everybody will want to listen to. ive always been pushing afrobeat in different directions. heres another one again, another style, almost clean but still rough, raggedy and radical.

the dba dubs series returns with a fresh tropical house roller from samrai backed by a remix from michigan resident james t. cotton. khadi brings together samrai s tough drums and ethereal sun-kissed fx with a helping of keys from an anonymous local collaborator. on the flip jtc, the artist behind dabrye, sound murderer and a host of other cult catalogues reinvents khadi as a detroit house stepper. manchester resident via the midlands, samrai makes up 50% of the swing ting production unit. he s released with distinguished labels such as keysound, niche & bump and uttu as well as collaborating with ruf dug, murlo, brackles & hyperdub s okzharp. his dj sets take in x-amount of styles, always system-friendly with an emphasis on the soulful side of things.

passion for jazz and soul music. reekee, a remarkable young and talented artist from modena (italy) not only plays the keys as an extention of his mind but his true and pure sound makes you feel warm and connected from first notes. a mixture of broken beats with soulful melodies & analog drummin and reminds early mr. fingers tracks. you often get a nu-jazz feeling and can clearly hear the jazz influences between the funky house beats. because it s so difficult to describe the feeling you get listening to his music, you should hear it yourse.

classic 1989 live double lp. recorded live at the pasadena rose bowl june 18th 1988.

opening things up, the sinister title track is a dense, winding affair built around staggered tribal patters and powered along with a brooding reese bassline. he/at’s “set openers” have become something he is known for and this is definitely one of his most dramatic. after that madness, “it’s impossible to describe the smell of a wet dog” strips things right down with subtly chaotic-timed rhythms and synth-work. kind of minimal...but not.
on the flip side, “a drama out of a crisis” is a straight-up new-meets-old techno stomper with early beltram-esq beats and modulated melodies, before the ep closes out with the rawness, “the man who made husbands jealous” is a tough acidic kind of work out with an infectious hook we think you’re going to like.

prince of persia sound from the big city: the dusty twilight of day and night sets the atmospheric backdrop for the dreamlike groove visions of berlin based producer zigan aldi. the track “blue hill” combines a compelling bassline with the enigmatic sound of a string instrument that seems to originate straight from the parallel world of 1001 nights. “rosa martha” starts as a stripped-down rhythm tool with a rather dark vibe which then contrasts beautifully with a hint of warm house music bubbling up from the depths towards the middle of the track. mollono.bass and pophop dedicate their remixes to the uplifting side of things, and the digital version provides two more exciting adventure stories for dance floor explorers.

flumos mainstay ekkohaus returns, this time bringing a full-bodied package for the dance floor. suitably, far fetcher acts as a warm welcome, inviting the listener inside its richly deep analogue soundscapes, reminiscent of deeper sides of classic house rhythms that have come from the usa. its pace provides a perfect way to start off the ep while the synth-vocal creates a soulful depth. things get darker and more aggressive with musketeers, a dub-heavy rhythm that drives one to involuntary movement due to its relentless repetition and & subtle swing. the amalgamation of the synth along with the pulsating sub invigorates one to move and bounce along with these elements. fantasy provides the penultimate party vibe. it s funkiness transcends & the melodies drive the vocals to the extent of ecstasy. rounding off the ep 64 bars features vocals by arthur russel, the synth inflicted break progressions capture the vibe of ekkohaus live sets with its haunting chants hinting towards techno and while its warmth never escapes.

funk was the syncopated groove that emerged in the mid-sixties through hits from james brown and dyke and the blazers. it was a natural development out of rhythm and blues. thousands of local bands tried to emulate brown’s success, and in the process created a plethora of rare and sought after 45s and album cuts that have been mined by djs and producers to fill floors or provide breakbeats. whilst the 20 tracks on this compilation would cost you thousands of pounds to own on their original issue, that isn’t really the point. instead you get to listen to magnificent grooves such as mickey & the soul generations explosive ‘iron leg’, andrew brown’s blues tinged ‘you made me suffer’ or the message music of 24 carat black.
j&d records release three exceptional compilations that look at vintage african-american music through the prism of uk club culture. all night long, can you feel that beat and extra added soul will be available on double vinyl and are compiled by dj and award winning compiler dean rudland, with stunning artwork from his long-time collaborators the unknown. across the three volumes there are 60 tracks of soul, funk and boogie.

after his great record on innervisions, the guys from exit strategy convinced nuiton to get this killer release for their label. like baudelaire once said: „you need three things to create art: currentness, history and last but not least coincidence“.

two years we ve had to wait for the second in skinnerbox s edits series on silicone soul s darkroom dubs, but as the saying goes... all good things... delicate and respectful edits from the duo, that see these two classic tracks expertly tailored for the dancefloor.

with this second vinyl release, the parisian label collapsing market continue to refine and sharpen their own distinctive sound by introducing norin, the lust for youth frontman. beside of his well-know new wave band, the multi-faceted man produces experimental and abstract music that he first released on posh isolation, and now on collapsing market. also worth mentioning, the flawless artwork wraps things up in the most perfect way. strictly limited to 300 copies.

this ep represents a further manifestation of sound-expression over sound-design. each track has it¡¯s own characteristics. it¡¯s a symbiotic ep which combines vintage analogue gear with live digital effects, everything is done in a moment - manipulating things that you can¡¯t calculate but feel. this live combination is really important that the listener will subconsciously get a psychedelic and emotional bound to electronic music - resembling genres like krautrock. do what you want, it¡¯s the only law - it¡¯s a sentence very dear to the whole les points collective and with this boundery it¡¯s no surprise that audino & barbir have collaboration featured. dilettantes on the rise!

after a few digital releases, lunar convoy delivers a masterfully executed debut ep to inaugurate newcomer belgian imprint norite’s vinyl series. counting northern electronics, hypnus records, semantica and prologue among his main influences, lunar convoy’s first effort is utterly coherent while not failing to evoke a plurality of emotions. imbued with sacred atmospheres, infiltrated with mysticism, ritualistic melodies and aesthetically charged rhythms, outer rim territories is a testimony of his love for deeper realms. on the a side, seswenna’s trancey lead synth and pumping bass opens the ep with an excursion towards distant planets. ryloth ventures into darker fields, scattered with whirring and saturated analog complains and haunted by ancient voices. on the flip side, eriadu sets a more mystical pace with syncopated kicks and floating eerie pad, to embark on a parallel dimension. allen’s take on ryloth is symptomatic of the us-based producer, speeding things up and offering a stripped down version filled with devastating hi-hats and firing toms to end this solid 4-tracker with the hypnotic-yet-effective sound that got him signed on attic music, m_rec ltd, polegroup or more recently granulart recordings. with such a captivating release, lunar convoy has set a high bar for the upcoming releases and left us under his sway.

the sound of detroit by one of its unsung heroes, amp fiddlers new album motor city booty comes straight off the d funk assembly line, a full on dance floor affair from motown to p-funk, techno and neo soul. this 11 track album produced by yam who? & includes the massive soul fly sounding like a mark ronson production had he been hanging out with george clinton s parlet followed by the bonafide p-funk anthem steppin both featuring the stunning vocals by the dames brown girls. amp fiddler is credited for taking both a young j dilla and also q-tip under his wing teaching them akai mpc techniques, setting the path for some of hip hops finest recordings which have defined the shape of things to come. his musical collaborations include: moodymans musical maestro keyboard wizard for theo parrishs live band, a longstanding funkadelic member & co-writer for prince, maxwell, seal & jamiroquai to name a few. dj support: gilles peterson, tim sweeney (beats in space) rahaan, quentin harris, eli escobar, ashley beedle, moodymann

vinyl exclusive tracks on their third release of 2016, frank & tony streak back onto the scene with one of their most refined efforts yet, ‘harmonia. toms and effervescent drum patterning gets things started nicely on ep opener, seranade. swirling pads, alongside a driving two-note bass, lay the groundwork before siren-like synths call out as an incorporeal voice beckons, bring me all of your dreams, you dreamers. hardrian takes the tempo down, but ramps up the filth, conjuring dark, basement rave vibes with its propelling bass line and cavernous pads. shuffling hi-hats and billowing synths flitter in and out of focus making this one of the duos most hypnotic and psychedelic affairs to date.

aus music follow up a string of records from fresh signees paul woolford, tom trago and recloose with the return of a long term friend and label favourite marquis hawkes. hot on the heels of his recent lp social housing - the berlin based artist lines up doornroosje, a tight a two-tracker that remains consistent with his output on aus: dancefloor-focused jams suffused with simplicity and soul. discopuss kicks things off with a potent combination of samples and hardware as sassy funk samples are propelled by tough crunching drums. the title track then follows up with piano stabs and busy, percolating synth lines driven at a pacy rate to rapturous effect rounding off another solid addition to aus musics catalogue.

kaiko haben ihre wurzeln im wildromantischen, südoststeirischen vulkanland. ihr pop-entwurf ist einer, der angenehm weit entfernt ist von der sensationslust der hyperventilierenden musikpresse - sie folgen lieber dem ursprünglichen entwurf des musizierens, songschreibens und geschichtenerzählens: kathrin kolleritsch & band erzählen uns aus dem leben - von geschwisterlichen beziehungsebenen, dem verarbeiten dramatischer familienereignisse, die sorge vor großen gesellschaftlichen veränderungen. dass dieses anti-modell nicht ganz verkehrt sein kann, beweisen mehrere faktoren eindringlich: die band hat sich in den letzten monaten ein beachtliches live-publikum zwischen wohnzimmerkonzert und festivalbühnen erspielt und wird mittlerweile von einschlägigen festivals ebenso gebucht wie von ausgewählten songwriter-clubs.
die vinyl-lp erscheint im klappcover inklusive downloadcode.

experimental synth quartet survive’s sophomore full-length and relapse debut is a dark, sweeping exercise in analog synth mastery. the pulsating, 9-song instrumental release showcases immense diversity between tracks - rr7349’s compositions range from grim tom-tom thunder to space-age epics, pairing tense plodding grooves with meditative ambience and driving, rhythmic beats. inspired by idm and horror scores alike, rr7349 is simultaneously ominous and hopeful, tense and relaxed, percussive and melodic. additionally, two of the group’s members recently scored the soundtrack for the hit new sci-fi / horror show stranger things on netflix. rr7349 is a unique addition to the relapse discography, and unquestionably survive’s best work to date.
the vinyl release includes a download code.

the first release by parisian iconoclast joakim for his friends and european colleagues at dj tennis life and death records is a miniature nocturne for dance floor meditation, a cascade of unfurling fizzy moods and introspection, finally tuned and expertly rendered by the electronic music maestro. -i met manfredi (tennis) through luke jenner (ex the rapture) in nyc. when manfredi has a few days off his busy touring schedule, he comes to my studio to work with luke on their collaboration project. we usually talk about synths, food, dj gossip and complain about espressos in nyc. about 6 months ago we were eating korean fried chicken and manfredi asked me if i’d like to do something for his label life & death. at the time i had a bunch of club tunes i started working on and somehow had a feeling some of them could be a fit for life & death so i played those and manfredi very quickly picked one, daemon. i thought putting out something on life & death was at the same time kind of odd (and if you didnt notice yet, i like when things are unexpected) and totally appropriat

nas i am was his third studio album release and proved his reputation of one hip-hop s leading rappers. his strong lyrics are heard on tracks like -small world- and -favor for a favor- featuring scarface of the ghetto boys. the original material of the album was leaked onto the internet and this forced him to record completely new material.

mr zanders returns with the second release on his own newly minted label the debut gained plenty of support, in all the right places, and further established this exciting new producer as a dependable go to for forward-thinking club jams ripley s voyage opens things up here, a beautifully crafted, sumptuously deep & gently evolving workout that fuses live and machine elements perfectly for a truly absorbing ride on the flip dexter s morning is an az slam dunk, as irresistible hooks get worked into a rock solid sample house joint that is a guaranteed floor piece. another sureshot